Adrien Sina Amorphe Transitions France, 1997, (3'07'') [...] In the antique world, in Greece as in Far East, the Subject was smelted with his environment, he was living in a body-world continuum, suddenly remembering his isolation when an indictment happens to relocalize him as body. The Figure of Mandala is an equation of symbiotic incorporation that ties, since a tracing ritual by rice or colored sand, a personal and intimate level, to the level of the house, of the temple, of the city, of the world, up to the level of the Universe. What patterns of representation will emerge from these still undifferencied and Amorphe Transitions that link Human Societies to their future technological environments? [...]